DIGBIGSTUDIO
CV

05 — Photography

166 photographs

ARCHIVE

166 photographs, cut into 13 stories.

The archive is edited, not dumped. Each story is a sequence with a beginning and an end; open one and the frames arrive one at a time, at the size they were shot for.

01THE BLUE CITYJodhpur
Opening frame of THE BLUE CITY — city / rooftops / ramparts.
City / Rooftops / Ramparts06 framesA city read from above. Indigo house-blocks packed to the wall line, the fort holding the high ground, a clock tower standing in for a centre. The same skyline photographed until it stopped being a view and became a plan.02STONE AND SHADOWMonument
Opening frame of STONE AND SHADOW — architecture / sandstone / symmetry.
Architecture / Sandstone / Symmetry10 framesDomes, arcades and fluted columns, photographed for the geometry rather than the guidebook. Bodies enter the frame at the scale the architecture intended: very small.03LINESStructure
Opening frame of LINES — stair / geometry / section.
Stair / Geometry / Section08 framesStaircases as drawings. Spiral, switchback, escalator, ladder — each one a section cut through a building, exposed and photographed flat.04BETWEEN STREETSPeople
Opening frame of BETWEEN STREETS — portrait / everyday life.
Portrait / Everyday life12 framesFaces met at working distance — a boy against a painted wall, two children over one notebook, hands, turbans, weather. Mostly monochrome, because the light was already doing the work.05SET AND SUBJECTDirected
Opening frame of SET AND SUBJECT — fashion / stage / portrait.
Fashion / Stage / Portrait15 framesWork made with intent: a classical dancer held mid-turn in red, garments built from salvaged cloth, a single hard key light against black. The only frames here where the photographer decided everything.06AFTER DARKNight
Opening frame of AFTER DARK — long exposure / stage light.
Long exposure / Stage light12 framesWhat the city does once the sun has stopped lighting it: sodium trails on a carriageway, a grill throwing flame, wet asphalt turning neon into paint, and a stage where the only subject left is a silhouette against a par can.07THE NIGHT SKYAstronomy
Opening frame of THE NIGHT SKY — star trail / lunar / eclipse.
Star trail / Lunar / Eclipse13 framesLong nights on a fixed mount. Circumpolar trails, the Milky Way over a ridge, a crescent, and a partial eclipse followed frame by frame until the bite closed.08HIGH GROUNDMountain
Opening frame of HIGH GROUND — snow / altitude / ridge.
Snow / Altitude / Ridge16 framesAbove the tree line. Cable cars, ski slopes crowded with day visitors, a yak handler on packed snow, and the moment the last ridge turns copper.09THE RIVER AT DAWNWater
Opening frame of THE RIVER AT DAWN — birds / boats / first light.
Birds / Boats / First light08 framesOne hour, repeated. Migratory birds lifting off a river at sunrise, boatmen working through them, an oar held still long enough for the water to go flat.10QUIET GROUNDLandscape
Opening frame of QUIET GROUND — desert / plain / coast.
Desert / Plain / Coast15 framesGround with nothing on it. Dunes with a camel train reduced to a line, flooded scrub, a single figure on a green horizon, and a coastline that gives up two-thirds of the frame to sky.11CLOSE RANGEDetail
Opening frame of CLOSE RANGE — macro / eye / texture.
Macro / Eye / Texture10 framesWorked at the minimum focusing distance. An iris carrying a whole reflected scene, a web strung and lit from behind, an insect in metallic green — scale collapsed until surface is the subject.12SMALL LIVESAnimal
Opening frame of SMALL LIVES — street / field / companion.
Street / Field / Companion16 framesThe animals that share the same streets and yards — strays, working horses, geese, a litter on a stair landing. Photographed at their eye level, not ours.13THE CAMPAIGN ON THE GROUNDChittorgarh
Opening frame of THE CAMPAIGN ON THE GROUND — documentary / sanitation / civic.
Documentary / Sanitation / Civic25 framesThe other half of a communication campaign: not the posters, but the mornings they were made for. Sanitation workers before a shift, a lotus drawn in rangoli on a road, cloth bags handed out across a vegetable market, schoolchildren with the posters they painted. Documentation from the wards of Chittorgarh.